1/17/2024 0 Comments Shazam box office tracking![]() 4 with $5.8 million from 3,405 cinemas, a 54% drop from its debut. Sony’s prehistoric sci-fi thriller “65” landed at No. Already, the third “Creed” movie has out-earned its predecessors as the first film ended its run with $109 million and the sequel tapped out with $115 million. After three weeks of release, the film has generated a stellar $127.7 million. Jordan’s sports drama “Creed III” took third place with $15.3 million from 3,477 venues, down just 44% from the weekend prior. The horror film has added another $40 million internationally, bringing its global tally to $116 million. Those ticket sales, down 61% from its stellar $41 million debut, bring the sequel’s domestic tally to $76 million after two weeks on the big screen. “Neither film found an original, creative way forward neither elevated their series.”Įlsewhere at the box office, Paramount’s thriller “ Scream VI” slid to second place with $17.5 million from 3,676 North American cinemas. Gross, who runs the movie consulting firm Franchise Entertainment Research. “So far , ‘Ant-Man’ slowed after an excellent start, and ‘Shazam’ is falling,” says David A. 3” and Sony’s “Spider-Man: Across the Spider-Verse” look to dominate at the summer box office - but it points to a future in which studios can no longer release just any mega-budgeted comic book adaptation in theaters with the expectation it’ll gross at least $500 million globally with ease. That’s not to suggest that superhero fatigue has taken over - and Marvel’s “Guardians of the Galaxy Vol. DC’s prior standalone adventure “Black Adam,” led by Dwayne Johnson, also massively disappointed in its theatrical run, grossing $392 million worldwide on its $200 million-plus budget. “Ant Man 3” impressed with its mighty $106 million opening in February, but it has crumbled in subsequent weeks and will almost certainly end up as the lowest-grossing installment in the trilogy, despite scoring the biggest start. But “Shazam 2,” as well as Disney’s poorly received Marvel sequel “Ant-Man and the Wasp: Quantumania,” are beginning to reveal cracks, at least when it comes to subpar-rated adventures. “That’s compounded by the current creative shakeup, whose impact won’t be felt for a couple of years makes the broader franchise feel even more fragmented to audiences for the time being.”Īt one point, comic book tentpoles were untouchable at the box office. “DC sequels have seen diminishing returns in recent years,” Robbins says. Though the producers have been careful not to absolutely rule out the return of any established DC hero (save for Henry Cavill as Superman), fans can see the writing on the wall. It’s the first movie to be released since James Gunn and Peter Safran took over the superhero universe and set it on a brand new direction. “Fury of the Gods,” to some degree, is also the victim of the big reset at DC. Rachel Zegler, Adam Brody, Lucy Liu and Helen Mirren co-star in the film. Sandberg returned to direct “Fury of the Gods,” which centers on Levi’s Billy Batson and his foster siblings - all of whom transform into superheroes when they say “Shazam!” - as they team up to fight the Daughters of Atlas, who wield a weapon that could destroy the world. And it holds a 53% on Rotten Tomatoes, a dramatic decline from the original’s 90% average. It landed a “B+” CinemaScore, down from the first film’s “A” grade. ![]() Reviews and word-of-mouth may not help “Shazam: Fury of the Gods” in the coming weeks. “Comic book films are steadily showing that without an event-level hook, it’s difficult to live up to predecessor performances.” “It’s a soft start, there’s no other way to put it,” says Shawn Robbins, chief analyst at BoxOffice Pro. At the international box office, “Shazam 2” added $35 million from 77 markets for a dismal global start of $65.5 million.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |